Howard Kunstler

An interesting way to start your research is to delve into the attitude of the people of the time.  To this end, we have linked to some videos and pamphlets that represent the feelings of the postwar public.  These resources give a feel for the consumerism and optimism that characterized a time in American history where everything seemed possible.  Enjoy these resources and gain a deeper understanding of the the mid-twentieth century.

Little boxes on the hillside,
Little boxes made of ticky-tacky, 
Little boxes on the hillside,
Little boxes all the same.
There's a green one and a pink one
And a blue one and a yellow one
And they're all made out of ticky tacky
And they all look just the same.

And the people in the houses
All went to the university, 
Where they were put in boxes,
And they came out all the same
And there's doctors and lawyers
And business executives,
And they're all made out of ticky tacky
And they all look just the same. 

And they all play on the golf course,
And drink their martinis dry,
And they all have pretty children,
And the children go to school.
And the children go to summer camp
And then to the university,
And they are put in boxes
And they all come out the same.

And the boys go into business,
And marry and raise a family, 
In boxes made of ticky tacky,
And they all look just the same.
There's a green one and a pink one
And a blue one and a yellow one
And they're all made out of ticky tacky
And they all look just the same.

From the song, Little Boxes
Words and music by Malvina Reynolds
Copyright 1962 Schroder Music Co. (ASCAP)
Renewed 1990.
Used by permission. All rights reserved. Malvina's daughter, Nancy Schimmel, is writing a biography of her mother and is blogging about the process.

 

  All the Way Home, Part 1

All the Way
Home, Part 2

Still frame from: All the Way HomeAll the Way Home portrays how a neighborhood acts when the seller of a house opts to sell to an African American family.  Produced by Dynamic Films, Inc. in 1957, it showcases the issues of racial and housing discrimination.

Crisis in Levittown 

Still frame from: Crisis in LevittownCrisis in Levittown was produced by Dynamic Films in 1957.  This powerful landmark documentary showcases the racism the African American Myers family were subjected to when they moved into the all-white Levittown in Pennsylvania.

In the Suburbs

Still frame from: In the SuburbsIn the Suburbs was produced by On Film, Inc. and sponsored by Redbook Magazine. This 1957 film portrays American suburban culture from the viewpoint of burgeoning families and showcases the ever growing consumption of appliances, accessories, and packaged components.

 Give Yourself the Green Light

  Still frame from: Give Yourself the Green Light
Give Yourself the Green Light was sponsored by the General Motors Corporation, Department of Public Relations. This 1954 film advocates for better roads and highways.

 Quiet Revolution

Still frame from: The Quiet RevolutionThe Quiet Revolution was produced and sponsored by the Ford Motor Company, Tractor and Implement Division.  This 1956 film showcases Ford's construction equipment and gives us a window into how housing developments, such as Levittown, Pennsylvania, were built.

  These films and others are available from the online Prelinger collection at the Internet Archive.

Shall I Build A House After the War?

By Anthony Netboy, Editorial Staff, Department of Agriculture (the G.I. Roundtable Series of the American Historical Association)*

What Will Your Town Be Like?

By Millard C. Faught, Committee for Economic Development (the G.I. Roundtable Series of the American Historical Association)*

What is the Future of Television?

By Robert Farr, Staff Writer, Science Service (Institute for the Popularization of Science) (the G.I. Rountable Series of the American Historical Association)*


*For background information, analysis and additional pamphlet topics, please go to "Constructing a Postwar World," The G.I. Roundtable Series in Context, the Web archive that contains the online publication of these G.I. pamphlet series of the American Historical Association (AHA).  Per Robert B. Townsend, AHA Assistant Director for Research and Publications, who analyzed the documents, "the accent in the pamphlets is on what the postwar world would look like, and reassuring servicemen that they would have a place in postwar America. The AHA tailored its pamphlets to paint an idealized image of a postwar world that was essentially free of minorities, where women happily moved out of the factories and back into the kitchen, and where America would largely dominate the world stage."